Rango Movie From Gore Verbinski

Verbinski cleared up some plot details. Rango (Depp) is a pet chameleon who lives inside a terrarium. “He’s a thespian in search of an audience,” says Verbinski. “He’s created friends with the inanimate objects in his terrarium — he calls them all by name. And when we meet him, he’s in the process of putting on a play with the numerous objects.” Verbinski then alluded to Roadkill, an armadillo voiced by Alfred Molina: “Roadkill’s run over included in the origin of Rango’s demise, exactly where his terrarium is thrust from his car, and he leads to the desert.”

Through a bizarre set of circumstances, Rango winds up at a town called Dirt, which is populated by all sorts of Mojave Desert wildlife. “This town is truly hungry for a hero, and they get the great pretender,” says Verbinski. “Rango has to ultimately be prepared for the distinction between pretending and what’s real.” The director also mentioned that Rango, as an aquatic creature desperately looking for hydration, ironically finds himself getting involved inside a Chinatown-esque water subplot.

Already Rango comes off as an animated movie with more substance on its mind and more tricks up its sleeve than most. And how Verbinski went about recording his characters’ voices was a departure for an animated movie. Typically, actors perform their lines alone in a very recording studio. But instead, Verbinski gathered his whole cast — including Depp, Timothy Olyphant, Abigail Breslin, Bill Nighy, Isla Fisher, Ray Winstone, and Harry Dean Stanton — and had them act out the entire movie inside a studio during a 20-day shoot. Making use of a limited quantity of props, sets, and costumes, the actors repeatedly tackled their scenes while video cameras recorded their performances.

“It’s not motion capture — it is called emotion-capture,” says Verbinski. “I didn’t want to quit the techniques that have been developed in shooting live action, in which you try to optimize the possibility of capturing the awkward moment — the moment where things aren’t cerebral or manufactured. Every thing in an animated film is manufactured. There are no accidents. So we were attempting to encourage a kinetic, raw spark to the audio track.” Verbinski showed us some of this footage, and naturally, the sight of Johnny Depp pretending to be a heroic cowboy lizard is simultaneously amusing and slightly disturbing.

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